Sam Smith How Will I Know

Another voice coach in the US brought my attention to Sam Smith How Will I Know cover, i.e. this awesome song – check it out!

Listen to the quality in the voice.

Sure he goes intentionally light towards the top end of his voice, but listen to how it serves the song. There’s the odd two-to-three note riffs, but nothing ostentatious… it’s ALL about the song… and this is rare in today’s world.

Sit back, relax, and let Sam’s dulcet tones soothe your savage beast!

Sam Smith How Will I Know

NOTE: As an aside, this is a GREAT example of a singer who perhaps bucks today’s current trends of singers needing to sound as LOUD and as POWERFUL as possible. Sam has a fantastic voice, but not because his instrument is hyper-developed in terms of volume, power, riffability, etc, but because he has spent time FINDING his voice. He has worked on the weaknesses, capitalised on his strengths, and his instrument is unlike anyone else’s… i.e. his Unique Selling Point IS that he isn’t the same as the current crop of singers.

How awesome is that?! This is a mainstream artist strutting his stuff in a way that is counter to everything we see on the current roster of international singing superstars… so don’t discount your voice just because you don’t sound like singer X – celebrate what you have, build on your strengths and learn to fix your weaknesses, and see how you could have a voice that is as unique and loveable as Sam’s…

Just some food for thought!

(for those who the embedding doesn’t work – here’s a direct link)

White Christmas – Michael Buble and Kelly Rowland

I had a student bring this in the other week to look at, specifically because of the vocal riff that the wonderful Ms Kelly Rowland sleighs (ho-ho-ho) us with a minute or two in. Love this White Christmas!

I had about 10 minutes to identify and break down the riff in question, and I just managed to solve it for the student. Twas a toughie!

In any case, it’s a great rendition, so why not Christmas-ify your day and check it out!


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U2 Gospel Choir – Rock Lead and Gospel Backing

U2? and a Gospel Choir? a U2 Gospel Choir?

I was at a training event recently, and as part of this I did some testing. Some of those tests involve teaching people I’ve NEVER met or even heard sing before, and I have 20 minutes to make them sound better in that time. Pleased to say I passed!

Another part of it is a voice test, where I basically get a voice lesson but we also focus on what’s going on in my own voice in relation to teaching as well. There’s always stuff to work on.

In this case I decided to work on U2’s ‘Still Haven’t Found What I’m Looking For’. This is a beautiful song – rich vocals, strong lyrics, gorgeous and powerful melody, and the arrangement is wonderful.

Afterwards I had someone who’d observed the lesson mention that U2 once did a gospel version of this song (say whaaat?!) with a proper black gospel choir – a ‘U2 Gospel Choir’ if you will!

I looked it up, and was absolutely astounded by what I heard….

Talk about merging of styles… truly, a U2 Gospel Choir!

When was the last time you sought out a song done in a merging of two or more styles? When was the last time you tried one of your favourite songs in another style? It’s sometimes tough to imagine these things, but it’s a real doorway to finding some cool sounds you would never have stumbled across otherwise… sticking songs and styles in a particle collider and seeing what comes out is a fantastic way to develop your artistry and understanding of what makes certain songs work in particular styles.

Check out the video and see what you can come up with in your own repertoire!

Josh Groban – Drummer, then singer?

Josh Groban was a drummer?

So, believe it or not, I don’t get THAT much Josh Groban brought in to the teaching studio… quite surprising given how great Josh’s voice is and how popular he is.

Nevertheless! Here is a great video someone posted on a forum I’m a member of.

Turns out Josh studied with Seth Riggs, the guy who started off the technique of Speech Level Singing (the method I initially trained and Certified as a singing teacher in) and which principles underpin the IVA teaching method.

In this video, he talks about his own background, how he actually started as a drummer (YES! a DRUMMER!), how he started getting coaching with Seth, and how his first gigs were massive concerts. Crazy stories but utterly true. He’s also one of the most humble guys you’re ever going to meet.

Check it out.

For those of you who are also musicians, but perhaps feel that because you started singing AFTER getting decent on another instrument you are somehow disqualified from being classified as a true singer… or that you can never become a great singer… Josh is a living testimony this is not true.

Whatever you think is stopping you from achieving your goals, is not what’s actually stopping you. It’s you THINKING something is stopping you, that is the thing that’s really preventing your progress.

Watch the video and hear the hidden nugget in there.

Riffing Lesson: Natalie Weiss does Tori Kelly’s Pretty Young Thing

Riffing is something many people think is harder than it actually is. Let me illustrate…

So here is a video of the amazing American artist Tori Kelly. There is just incredible control and artistry in this video by Tori.

Check out her stuff – really fresh and inspiring!

There is a KILLER vocal riff at 2m22s, which I’ve been giving a bash and I can promise you – it’s tough! That said, it is not as difficult as it might seem once you’ve broken it down. Here’s a link to a great singer Natalie Weiss Breaking Down This Riff – she was even teaching at a training conference I went to back in August 2013!

There are a great many things we all think are very difficult, but actually, EVERYTHING is difficult… until we’ve done it so many times that it becomes easy. Not only that, but sometimes it just takes a different perspective and simpler approach to make even the most seemingly-complex issue become pretty straightforward to solve.

With that in mind, if you want to start learning to riff, and learn the riff she pulls off at 2m22s, then check out this awesome video from Natalie Weiss from ‘Breaking Down The Riffs’

See? It might sound crazy but if you take it slow and break it down, it’s actually not as insurmountable as it first seemed.

So do me (and you!) a favour – ask yourself – what was the last thing you decided you COULDN’T do vocally? Is it too fast? Too high? Too low? Once you break it down, you may start to see in-roads to help you tackle the issue you’re struggling with. Honestly, all you need to start moving towards doing the very thing you’re scared of is adopting a different perspective and utilising the right tools.

3 Musical New Year’s Resolution

NOTE: I’ll be asking you ‘what would your 3 resolutions be?’ at the end of this post, so do have a think while you read mine, and do also leave a comment on yours below! I’d like to hear from you!

When I was at school and university, I used to love holiday times not just because they were time off from studies, but because they gave me uninterrupted time to focus on ‘woodshedding’. This is a term often used by guitarists and jazz musicians to refer to time spent locked away in (often!) a woodshed away from the world honing particular aspects of their craft.

While I won’t be doing these in a woodshed, here are 3 of my resolutions I’m working towards this year. Some people opt for more, some for less, but I feel 3 gives me enough resolutions to stand a chance of doing at least one without getting stretched too thin!

1. Get better at piano – While I play it sufficiently well enough to teach, I spend far so much time in front of a piano everyday for voice and teaching, that I am out with a vengeance to learn to play the thing properly. I will then go through every song in my repertoire that I can already perform vocally with a guitar and learn to play an equivalent version with a piano. That way if I ever am presented with guitar OR piano, I can do my entire repertoire equally well on both.

2. Reduce the amount of gear I own – I’m a true minimalist at heart, and while I love exploring new equipment and how it works for me and my sound, once I have experimented and branched out, I like to strip back to the basics. This last year I’ve started to develop more of my own sound, or rather, develop a confidence in the sound I had already started to develop, and this requires a more simplistic approach to gear (if not musically). As such, I plan to shed at least a 1/3 of the remaining gear I have.

3. Add 10-20 more songs to my repertoire – One of the problems with having come from a technical instrumentalist background is that I am quite fussy about songs. I want songs that challenge me, and that present some technical challenge to my development. Which means I find it increasingly hard to find things I want to work on as I develop and get better. This is obviously helpful in some respects, as every song I work on develops my voice such that other songs become easy and often automatic, but it does mean I struggle to find new songs to add to my repertoire. In this regard I’m going to be less picky and just find 10-20 songs to add to my repertoire over the course of this year, regardless of their difficulty, just based on whether I like them or not!

I’d also add that I will be ‘writing more songs’ as a resolution, except that this is an ongoing resolution, so it’s hardly new for this year!

What are your resolutions?

Songwriting: My First Lesson

Write more songs, write better songs, and write songs faster

As a singer, musician and songwriter, I want to write better songs. I also want to write more songs, and write songs faster. So much so that it pains me when I can’t finish a song… because I’m still not happy with the way the verse goes, or how the melody goes at one point. And until I’ve got one bit just so I find it hard to move onto anything else. I just keep going round in circles trying to get one or two particular bits right.

Which should be fine right? If I want a good song, then every part has to be perfect? Wrong. This doesn’t have to be the case, as I learned … or was reminded of recently.

Better songwriting tip right here

Here’s why…

One of the most invaluable classes I had whilst at university was actually with an English professor. This professor who had been brought in to educate us how to communicate ideas better, and how to write anything well. And he gave me one of the best bits of advice I’d ever had up til then, and since then. And his advice was:

Don’t get it right, get it written

This phrase has served me well since then in other areas of my life, but has recently become a real mantra for me when approaching songwriting. Why?

Try this illustration on for size

I am fortunate enough to have a prolific and talented songwriting friend called Matt Blick. You can find his site at www.mattblick.com . Matt has been writing songs for years and has established himself as a renowned source on the internet for songwriting advice. He is active on Twitter (@realmattblick) and you can ask him almost any question, and he’ll get back to you on it. I learned a valuable lesson from him that helped me to write songs faster. Not only to write songs faster, but make them better, and write more of them too!
I met up with Matt recently and we had a good long chin-wag about songwriting and ideas in general. We then started working on a musical idea I’d had a while ago. Matt then struck out on how to build that into a song. He was remarkably driven about getting something finished, whilst being very relaxed about it all. come up with a theme, sections, and lyrics to accompany those sections. It’s not finished yet, but the constituent components of the song are laid out in our toolkit, ready to be worked on.

Shortly after, I met up with another friend – Chris Shepperson, you can follow him @ourhelicalmind – for some songwriting of a more instrumental nature. Between us we wanted to try creating some songs that involved two electric bass guitars. Where to begin? Well, I tried to adopt the approach Matt applied – don’t get it right, get it written. And you know what? In 2 hours of songwriting we’d managed to construct a 3-4 minute recording that was an actual song, and we managed to record the whole thing!

It isn’t perfect, but from a single seed of an idea, we had an intro and groove for the song. From that idea a first line of a verse appeared. A variation on that one idea became a second line. We then had an ‘A’ section from those variations- a verse. Another idea plus a variation became a ‘B’ section – a chorus. One more basic idea became a ‘C’ section – a bridge/improv section. From that we had the constituent elements of a piece. We arranged the song at the same time as writing based on what felt right, and it came out as:

Intro, A, A, B, A, B, B, C (x3), B, Outro (repetition of the intro)

So from just 2-3 ideas came a verse, a chorus and a bridge. From those parts, we can construct an arrangement of the song that is listenable and of an appropriate length. All in 2 hours.

Now, while this piece isn’t 100% finished or perfect, it is far far closer to a finished product than it ever would’ve been if I’d tried to make each small element of the song perfect before moving onto creating the next bit of it. I was amazed at how a little bit more drive to be LESS perfect enabled me to get me closer to writing a good song.

So what did I learn from all this?

I think this illustration makes it clear of the meaning behind the English professor’s advice. It’s far easier to work within some basic structure, even if you want to depart from it, than not to have that structure in the first place. So remember:

Don’t get it right, get it written.

Check out my other songwriting lessons:
My Second Lesson
My Third Lesson
My Fourth Lesson

500 words or less: Five Favourite Lyrics

What are your favourite lyrics?

Now, despite loving singing and songs, and as well as having a near photographic memory, I do find it difficult to pick apart lyrics for an entire song in a first listen – finding favourite lyrics can be tough. So when a lyric really sticks in my mind on first listen I KNOW I’ve got something I want to listen to again and again.

Yes I know the name, sounds a little bit familiar, like a melody to a dream,
Yes I know, he wore the same face the same clothes, but that was so long ago

‘Ghosts’ – Chris Cornell

This one (today) is one of my favourite lyrics because I felt it ‘revealed’ the nature of the whole song in a single phrase (the bridge). I felt it summed up what I felt the whole vibe of the song was about… the idea that someone is looking for a person they knew, but that person has left their old life behind and ‘isn’t there anymore’. Beautiful concept and wonderfully captured in song.

Gentleness, sobriety, so rare in this society, at night a candle’s brighter than the sun
‘Englishman in New York’ – Sting

Ah another set of favourite lyrics. I like this one because for the longest time I didn’t understand the link between the first half of the line and the second half. Then it dawned on me that (at least in my interpretation) that it was meant to convey the idea that being something rare stands out like a sore thumb. Nice combination of literal and metaphorical in the same line as well… a real eye/ear-opener for me.

You can’t trust freedom when it’s not in your hand, when everybody’s fighting for the promised land
‘Civil War’ – Guns N’ Roses

I don’t know what it is about this line that I love, I think it’s the raw visceral energy of the line… coupled with the strong rhyme between ‘hand’ and ‘land’. It just resolves perfectly, both musically and lyrically… yea… it’s a great song!

You never thought you’d be alone, this far down the line, I know what’s been on your mind… you’re afraid it’s all been wasted time
‘Wasted Time’ – The Eagles

This is another one that just transcended words for me, I felt it captured a moment into the life of a person (or both people) coming out of a broken relationship. The idea that the time spent on that relationship is lost, dead, wasted time. But the song wraps around on itself by the end and says ‘y’kno what, maybe it hasn’t all been wasted time’. And I like that ‘turnaround’ aspect… a lot!

But is the best you can be, the best thing to be
‘Crossroads’ – The Offspring

Great songwriters. I just love the play on words. Is the best you can be, really the best thing to be? I stopped paying attention to the song at that point because I was just totally lost in the world of that one lyric. Wonderful stuff.

There we have it, my favourite five lyrics. Why not share yours below?

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