Mark JW Graham: Singing Lessons Nottingham
Mark is the Midlands' leading Certified Voice Coach, providing professional singing lessons in Nottingham. Mark is known for getting BIG results in voices, fast. – 0115 871 7660 || [email protected]
Another AWESOME funk-laden masterpiece – Uptown Funk – from the master mixer Mark Ronson and legendary voice smith Bruno Mars. Things have been pretty quiet from Bruno in the intervening year since the amazing Superbowl half time show from Mr Mars, so it was great to hear him back.
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It’s so much like James Brown it’s unreal. 100% up to date, but also so retro – I love it. Check it out on repeat like I did
I came across this band – From Indian lakes – a few months back and I’m really impressed with them. I’d describe them as soft rock, but I’m useless when it comes to sub-genres!
I really like the softer and lighter vocals scattered across the tracks, and I love the soundscape that flows by underneath them. From Indian Lakes is definitely a sound that is growing in popularity at the moment, and well worth checking out if you like the intensity of rock but also want something a bit softer to go along with it.
Check out this video and their whole album, and enjoy!
As an aside, one of the things that troubles me about today’s music is how much we focus on having the SAME sound as everyone else. As a voice coach I get a lot of people in wanting to sound like X, Y or Z, which leads to frustration when they don’t sound EXACTLY like that person.
However the reality is that no two instruments sound alike. As such, you simply can’t expect your own voice to be the same or even in the same ballpark as your favourite singers. That’s not to say that you sound BAD, simply that you will have a beautiful but different tone once a certain amount of training has been undergone.
What I love about this growing genre is that it celebrates a desire (in my opinion) to make music irrespective of whether an existing vocal sound already subsists in the audiosphere. From Indian Lakes has relatively light vocals. They are not jamming their voices as hard as they can ala hard rock, Zeppelin/Cornell style vocals. They are also not singing super low or dark ala Vedder or the like. Equally so, despite singing soft they are not going for the crooner sound ala Michael Buble. Instead there’s a sound that’s wholly different, so we have no preconceived notion of what they should or should not sound like.
Now, with today’s music being what it is, this could easily lead to us dismissing such music. However I feel they’ve managed to write something that grabs your ear and makes you want to pay attention to the whole song. This is critical to good artistry, and something I deeply respect.
I hope that’s made you think a little more deeply about songwriting and what you hear on the radio today. Til next time! Enjoy!
Boom! Awesome!
Came across this recently. Really enjoyed hearing some stripped back acoustic music – hope you do too!
As I just tweeted, I am preparing a video presentation on how to build your business, and one of the elements I’m talking about is the importance of blogging. So here is a quick blog on one of my favourite artists (who I have talked about loads before) – the Wonderful Bruno Mars
Apologies for the language at the start – not sure why he opted for that in this version!
What a tune though, and I love the acoustic version. Enjoy!
In previous blog posts on songwriting I’ve covered various topics, namely just getting something being a great way to get good songs quickly, how writing about anything or nothing allows you to get the creative juices flowing, and how to…
This time I want to tackle something from a more philosophical perspective.
One of the most common comments from students who claim to be songwriters is that they hate waiting for songwriting inspiration – and that it seems to be months between inspired creative bursts.
I learned this the hard way:
Don’t wait for inspiration.
Now I’m not saying that inspiration isn’t helpful, particularly songwriting inspiration, that moment where you have an inkling of an idea and you can’t wait to have a free moment to get it out of you, or those times where you have a topic you’re burning to write about that spurs you to a complete song in an hour or two… However, every songwriter will tell you that those unprompted moments of focus and unbridled clarity for songwriting inspiration are infrequent at best.
The reality of life is, we’re rarely as inspired as we dream we should be or could be. We often sit down ‘waiting’ for inspiration to strike, as if it’s the universe’s fault we’re just not inspired.
Contrary to this common artist’s mantra, the answer is NOT to wait for songwriting inspiration to strike, as you may as well be waiting for the rest of your life. The answer is simple, and straightforward, but not easy.
The answer?
Write little and often, and do it regularly, with or without songwriting inspiration, whether you want to or not
There are a number of great books like ‘Outliers’ and ‘The Talent Code’ that tell you about how the most skilled people in particular fields have spent around 10,000 hours on that skill. While those people will undoubtedly have great focus and determination, their greatest asset their drive to just get down to doing their particular activity every day – whether or not they feel as inspired as they should be. Athletes, musicians, inventors… songwriters… we all need to get down and do it, and do it often – that’s how you get good at it. With or without inspiration. Like most things, the path to being a great writer is plagued with things you don’t want to do in the first instance, but are necessary to progress to the next level.
Trust me, it works!
One of the more interesting songs I wrote I was forced to write in preparation for a songwriting workshop I was going to. It had been a whole month since the last one and I’d been inspired in two or three different ways and so had two or three 80% complete songs. However in the whole month I just couldn’t locate the songwriting inspiration to finish them. In the end, I wrote a song out of sheer frustration in the last 20 minutes of a train journey home just before the workshop. In reality it wasn’t as good as I felt the other songs could’ve been if I’d finished them, but it was a self contained song. Self consistent, strong lyrically and melodically, but it wasn’t written from a place of inspiration, rather it was written from a place where I had a complete LACK of inspiration. However, it was the skills I’d been developing through regularly writing and sharpening my writing skills that allowed me to write a song, almost devoid of inspiration, that was still relatively strong as a song in its own right.
What is the essence of good songwriting? How does songwriting inspiration come into this?
So then, if someone can write a decent song in 20 minutes without any strong level of inspiration striking, what does that say about the essence of songwriting? Maybe that’s too broad a subject… what does it say about the importance of inspiration in writing a good song?
In my opinion, inspiration is the icing on the cake of determination – it can really enhance the flavour of the cake, but its the determination that is the minimum necessary component to make it to a complete song. I’m not a huge fan of cheesy metaphors, but inspiration is nothing without the drive to execute the inspiration through to completion. And this is so true when it comes to songwriting inspiration.
So I’d challenge you, if you’re feeling a lack of inspiration, don’t let it get you down. Just write, do it little and often, and know that you don’t need to wait for inspiration to strike before starting writing, as you can always infuse some afterwards.