Today I want to talk about the clever use of keys. For those of you who don’t know I grew up in Hong Kong. One of the things that you hear a LOT of in HK is canto-pop – i.e. cantonese pop music.
In canto-pop there is a HUGE love for softly sung ballads with lighter voices and higher pitched songs.. often CRAZY high pitched in order to get a much thinner and arguably more feminine sound even from the men.
Other countries in Asia have a very similar preference for pop music, and Korea is no different. A Korean student of mine (who has great taste in music!) brought in this prime example of more Asian lighter-voiced pop from Park Hyo Shin:
IMPORTANT: Even if (like me) you don’t speak Korean, just have a listen to the quality of the voice in the verses – notice how light and airy it is…
This is the result of intentionally picking a higher key than perhaps is vocally ideal for ease in the voice, then overly thinning the voice out in order to make it more comfortable to sing.
Over time this can be verrrry fatiguing or even damaging for the singers’ voice, and can also result in a singing voice that is drastically disparate from the singers speaking – i.e. they sound verrry different when they sing.
While there are many singers that do this, at a very basic level (to one extent or another) this does erode the conversational nature of the singer singing the song…
If singing is about moving people, maintaining a conversational spoken quality to the voice is of critical importance in achieving this… irrespective of style.
The Clever Use of Keys I Mentioned…
Here is another singer from Korea (also brought in my by Korean student) who keeps that conversational quality I mentioned above…
https://www.youtube.com/watch?v=gVLgi39b84g
Notice how he bucks the trend of the light voiced Asian pop? There is real depth and definition to his voice, and the WHOLE range is richer for it.
I would probably put money on the notion that if the other singer (Park Hyo Shin) was given the same song, he would probably choose to place it several keys higher to achieve that more thinned out sound (NOTE: I’m reliably informed Park has adjusted his sound to be more appropriate for the natural balance of his speaking voice since that era of his recording life).
By changing the tonal centre, by way of a clever use of keys, singers can not only embrace the best bits of their voice and avoid the pitfalls of any organic instrument, but also create a more conversational spoken quality to their performance… irrespective of style or genre.
Try it yourself!
Try taking a song you feel is a bit of a reach down about 3 semitones and see how it sounds in your voice. It’s not about ego or being macho, it’s about sounding the best for your voice. Remember, 3 semitones is not the magic key change number, it’s just to get you starter in experiencing a different sensation in your voice, and to realise that a clever use of keys and key-changing of your songs is a BIG factor in how good (to great!) you can sound!